Contemporary Color: Theory and Use

As an expanded 2nd edition, Contemporary Color: Theory and Use continues to serve as an important foundational survey for current undergraduate curriculum. Written in an easily understood manner, Bleicher avoids the pitfalls of covering fundamental topics like a dry textbook.

Fine artists will find a chapter on pigments, colorants and paints—graphic designers will be satisfied with a section on color and design. Other sections included in the book review theory, harmonies, and cultural influences. A chapter titled Color Psychology makes good use of contemporary and historical illustrations to reinforce the content.

Bleicher does however fall a little short in the art history section. Even though art movements are mentioned (Impressionism to New Media in 14 pages), they are all too disappointingly brief.

What Bleicher does include (missing from most texts), is a chapter titled The Future of Color. This section explores recent up-and-coming technologies presently making their way into mainstream new media and consumer venues.

The publisher also hosts a companion website for educators that dovetails nicely with the book. Offerings include sample syllabi, quizzes and exercises.

Contemporary Color: Theory & Use

by Steven Bleicher

Making a Color Exclusive

Logos, slogans, and colors, become synonymous with a product, company, cause or sports team over time. Studies to support consumer driven responses to color are constantly being monitored by the marketplace to maximize data on current and future color trends. Because color can stand independently of words, it is capable of being recognized on its own —devoid of any reinforced logo or text. With this in mind, should an organization strive to protect their color assets through trademark? Not unlike a logo or company slogan, colors can also be protected under the umbrella of trademark. But can these measures extend to the name of a color as well? Syracuse University filed a federal trademark for the exclusive rights to the word “orange”. From the university’s perspective it was a logical move toward protecting their sports team name (which in 2004 had been edited down from “Orangemen” to simply “ Orange ”). Even though the official filing was done in 2006, several colleges have ...

Another Pinboard to Follow

Having resisted Pinterest for about a year now, I finally dipped my toes into the virtual pool of pinboards. My apprehension was truly misdirected and I've come to find that the concept of organizing visual images/links onto a virtual board has become a great teaching tool. After covering the typical graphic design topics such as typography, and history it was a natural move to include color among the related topics. So here is a link to my All Color Matters pinboard .

Munsell’s Crusade to Instruct the Masses

We often take for granted the past work done by pioneers such as Albert H. Munsell. Painter, teacher, and inventor, Munsell created the most influential color-modeling system for its time. His efforts devised a “rational way to describe color” through the of use clear decimal notation; using hue, value, and chroma into uniform yet independent dimensions within a three-dimensional space. This idea broke with the traditional approach of identifying colors through a naming scheme, which Munsell thought was “foolish” and “misleading”. Munsell Color System, Atlas of Color Charts. The color system Munsell built back in the 1900 ’ s continues to serve educators, visual artists, and the industries who depend on color matching technologies to produce their products and services. The Munsell Color Company website has a historical overview of Munsell’s legacy as well as examples of company projects that continue to advance the process of achieving accurate color. To peer inside the...

All Color Matters

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