Skip to main content

History: What’s in a Name?

There are many color dualities—and orange is no exception. Used as both a noun and adjective, no English word exists to serve as a true rhyme for orange. It is the only color of the spectrum whose name was taken from a fruit, the well-known orange (citrus sinensis). Coming from a evergreen tree, oranges are among the most grown fruit in the world, and because the tree is ever bearing, the color orange became associated with fruitfulness.

Having passed through many languages, the word initially got its start from the Dravidian root for ‘fragrant’. It was then interpreted in Sanskrit, and then made its way among Persian, ArmenianArabic, Latin, Italian, Old French dialects before making its first appearance in English in the 14th century.

Before 1542 “yellow-red” (geoluhread) was the word used to describe the color before the fruit and color were synonymous.

The etiology for the first place named Orange may be estranged from the word, but is no less symbolic in meaning.

Founded in 35 BC, Orange began as a Roman-Celtic settlement in southeastern, France. Named Arasio, after the Celtic water god, this area consisted of approximately 170 acres and has the warmest average temperatures of any city of France to date. After many conquests and power shifts from the time of the Holy Roman Empire, this area was inherited by William the Silent, count of Nassau (in the Netherlands), who became Prince of Orange in 1544. The principality was incorporated into the holdings of what became the House of Orange-Nassau, eventually becoming part of Netherlands Monarchy. Although the House of Orange died out in its male line with the death of Queen Wilhelmina (1948), the name “Orange” continues to be used by Dutch royalty today.

The color was adopted as a symbol of the House of Orange-Nassau after the sixteenth century, and is presently used as the national color for the Netherlands.

As an acknowledgement to the Dutch heritage in the U.S., flags for New York City and New York State both have an orange stripe which reference New York’s original name of New Amsterdam.

Popular posts from this blog

Color from the Ordinary Made Into the Extraordinary: Fabian Oefner

From motor oil to evaporated alcohol Fabian Oefner wields these materials as if they were ordinary pigments found on an artist's palette. Known for driving a Ferrari into a wind tunnel to splatter with neon paint, Hefner does't shrink from using unconventional materials to pursue his fixation  with color. Hefner's latest series “Photographic Paintings” was an outgrowth of observing the  oxidation  of  b ismuth that he had melted on a hotplate. The cooled compound created amazing iridescent spectrum of color.    Oefner quickly realized that a  scraped off layer  with a spatula would change the colors and that they would on be present for a brief tine. " You get those colors, which are essentially the colors of the rainbow,” he says.  The photographs have a minimal amount of digital editing done to them.  Hefner's  work suspends your fools us by taken advantage of the interplay of poss...

Another Pinboard to Follow

Having resisted Pinterest for about a year now, I finally dipped my toes into the virtual pool of pinboards. My apprehension was truly misdirected and I've come to find that the concept of organizing visual images/links onto a virtual board has become a great teaching tool. After covering the typical graphic design topics such as typography, and history it was a natural move to include color among the related topics. So here is a link to my All Color Matters pinboard .

Color

Taking a more fine art approach, Color draws from past, and present art movements for aesthetic examples on basic color theory application. In depth chapters explore topics such as psychological/compositional effects, color relationships, subtractive/additive media, fine art and applied design. Where Color Workbook by Becky Koenig takes a more “hands-on” approach to color theory, Color presents the realities of color uses from a working artist's point-of-view. Other subjects mentioned include computer art, video, architecture, landscape design, sculpture, and clothing. This book does fall short in two areas; cultural influences and the omission of any suggested exercises for students to back-up the text. This normally wouldn't be an issue, however given the high retail price of $93.00, it would be difficult to justify this purchase to the budget minded student unless it can be aquired via used or heavy discount. Color (Sixth Edition) by Paul J. Zelanski, Mary Pat Fishe...